Why the Two-Track EP Still Works: GUYCO, Melodic Techno and A 365-Day Deadline
The Israeli DJ Started at Forty-Two and Is Documenting Every Day of It
Some Eco runs three minutes forty-seven. Night Vision runs three thirty-four. GUYCO put both out on 14 August 2026 as a two-track melodic techno EP, which is the oldest release shape in dance music and still one of the most useful: one track to open with, one to follow it, nothing to skip.
GUYCO’s tracks are in the playlist below, and this desk’s coverage of him is collected on the GUYCO profile. Some Eco reached ElectronicMusic.News through PopHits.Co Music Charts, which verifies independent artists and places their releases across its network of music news titles. Cue it up, then read on.
Where GUYCO Fits In The Melodic Techno Wave
The label he uses for himself is precise. His TikTok bio has him down as a DJ and producer of melodic techno, and his Instagram profile says the same thing. Not house, not techno on its own, and not the broad electronic tag the streaming services file him under.
That distinction matters, because melodic techno is a programming problem before it is a sound. Straight techno hands a DJ a tool: steady tempo, long arrangement, easy to mix in and out of. A melody gives the same track a shape the floor can follow. That is better for a listener and harder for the person mixing, because a melodic phrase has to resolve somewhere and the transition has to respect it. Tracks in this style get written around that tension.
The Short Arrangement, And What It Costs
GUYCO writes to the short end of it. Nothing on the EP passes four minutes. His catalogue does the same thing: alongside Some Eco and Night Vision sit Bring The Fire, Alpha, ILLUSIONLAND, Keep Moving, Moon, and radio edits of Dionysos and Ptsd. A producer who bothers to cut a radio edit of his own track has thought about where it gets played, and has decided the long version is not the only answer.
The tighter arrangement is a choice with a cost. Seven and a half minutes of new material is not much to sit with. A four-minute melodic track also gives a DJ less room to work a transition than the eight-minute version the genre often defaults to. What it buys is a release that survives a playlist as well as a set, which is where most listeners will find it first.
The 365-Day Deadline Behind GUYCO And Some Eco
The back story is unusual enough to state plainly. GUYCO began this project at forty-two, after deciding to stop postponing it, and set himself a 365-day run: build the act from nothing and post every day of it. The studio sessions, the releases, the people he meets, the parts that do not work. Seventy-seven posts and roughly two and a half thousand followers in, that record is public and dated, which is rarer than it sounds. Most artists show you the finished track and none of the year behind it.
It also explains the release pattern. A daily deadline pushes an artist toward shorter, more frequent releases, because a two-track EP can be finished, mastered and out while a longer one is still being argued over. The catalogue looks the way a year of steady work looks.
From the Curator Team: “A two-track EP is a DJ’s format, not a listener’s, and it usually signals someone thinking about a set. What is interesting here is that the tracks are also short enough for a playlist, so the same record does both jobs. That is the working compromise a lot of independent electronic producers arrive at, and GUYCO got there faster than most because the schedule forced it.”
Who Is Next To GUYCO In Melodic Techno, And Where To Hear Some Eco
The company he keeps is worth noting, because it is documented rather than claimed. The curator behind Ash Music picked his earlier track Moon for a monthly round-up in June 2025, and ran it in a list that also carried Martin Garrix, Armin van Buuren and Illenium. That is not a comparison of stature and nobody should read it as one. It is a curator with a melodic remit hearing the same quality in a track by an artist with a few hundred followers as in tracks by artists with millions, and choosing to run them together.
Moon is the useful entry point in the catalogue for anyone starting there. It is the one built on driving rhythm rather than on the melody, and it is the track that first got him listed outside his own channels.
So the audience here is people who programme rather than only listen. DJs looking for melodic material that will not eat five minutes of a set, and listeners who want techno with a line they can follow. If your listening runs to melodic techno that resolves rather than loops, this sits inside your range.
Some Eco is on Spotify, and the catalogue is on Apple Music and SoundCloud. The daily record of the project runs on Instagram, with TikTok and a YouTube channel alongside it.
About The Author
