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Terra Olympia: Why George Voukanos Built an Olympic Album From Two-Minute Cues

Terra Olympia: Why George Voukanos Built an Olympic Album From Two-Minute Cues

Rafe Sinclair September 8, 2026

A Greek Composer Put Down the Orchestra and Rebuilt Ancient Elis on Synthesizers Twelve...

Juno Empire Seeds: Why a Film Composer's Analogue Synth Layering Works

Juno Empire Seeds: Why a Film Composer’s Analogue Synth Layering Works

Rafe Sinclair September 8, 2026

A Tempe Home Studio, a Rack of Analogue Synths and Sixteen Months of Streaming...

Estasi E Veleno: Why Analogue Songwriting Works Over A Programmed Floor

Estasi E Veleno: Why Analogue Songwriting Works Over A Programmed Floor

Rafe Sinclair September 6, 2026

Three Minutes Eighteen of Strings, Piano and Mediterranean Rhythm on A Dance Frame Estasi...

Laurent Wery Lets the Bass Line Carry Good Old Days and That Is Why It Works

Laurent Wery Lets the Bass Line Carry Good Old Days and That Is Why It Works

Rafe Sinclair September 6, 2026

The Belgian DJ and Xerxes-K Build a House Record That Refuses to Shout The...

Aux Volta Generic Gazelle and Why Its Mutating Beat Programming Works

Aux Volta Generic Gazelle and Why Its Mutating Beat Programming Works

Rafe Sinclair September 6, 2026

How a London Duo Based Between Thailand and Taiwan Builds Tracks That Refuse to...

Laurent Wery: Why a Live Banjo Works on Beautiful Face

Laurent Wery: Why a Live Banjo Works on Beautiful Face

Rafe Sinclair September 4, 2026

A Belgian Producer, an Iranian Vocalist, and Two Minutes Thirty-Two of Vocal House There...