Cinematic

Why the Cinematic Build of The Sower by Alex Viegas Works on the Floor and on Screen

Why the Cinematic Build of The Sower by Alex Viegas Works on the Floor and on Screen

Rafe Sinclair October 12, 2026

A Brazilian Film-Maker Scores His Own Science-Fiction Saga with a Melodic Techno Single The...

Why a Saxophone Over Synthwave Works on Beyond Orbit by The Orphaned Bee and Kuiper

Why a Saxophone Over Synthwave Works on Beyond Orbit by The Orphaned Bee and Kuiper

Rafe Sinclair October 3, 2026

A Sunshine Coast Synth-Prog Project and an Adelaide Post-Rock Band Meet on One Retrowave...

Why 444Hz Tuning Works Across the Long Forms of Kenta Hayashi's Golden Sun 444

Why 444Hz Tuning Works Across the Long Forms of Kenta Hayashi’s Golden Sun 444

Will Lisil October 3, 2026

Kenta Hayashi Tunes Ten Long Tracks to 444Hz and Frames Them as a Solar...

Limbo Kids Leave the Space Empty on the Merintho EP, and Why That Works

Limbo Kids Leave the Space Empty on the Merintho EP, and Why That Works

Rafe Sinclair September 9, 2026

Three Tracks Recorded in a Cork Loft by a Duo Who Meet Twice a...

Terra Olympia: Why George Voukanos Built an Olympic Album From Two-Minute Cues

Terra Olympia: Why George Voukanos Built an Olympic Album From Two-Minute Cues

Rafe Sinclair September 8, 2026

A Greek Composer Put Down the Orchestra and Rebuilt Ancient Elis on Synthesizers Twelve...

Juno Empire Seeds: Why a Film Composer's Analogue Synth Layering Works

Juno Empire Seeds: Why a Film Composer’s Analogue Synth Layering Works

Rafe Sinclair September 8, 2026

A Tempe Home Studio, a Rack of Analogue Synths and Sixteen Months of Streaming...